Multiple IE is a great little free program that lets you run multiple versions of Microsoft Internet Explorer along with version 7 of Internet Explorer.

The previous version I used to check IE6 used a Virtual PC and was a memory hog. This method worked perfectly and much faster and lets you test all the way back to Internet Explorer 3 (if you so desire).

 

Slusho! just released a new commercial and as I was digging around the Slusho! site, I searched for some of the other names and terms I saw. It turns out there is a huge viral campaign, very similar to what’s happening for the Dark Knight, for Cloverfield.

Digging around all of the sites, you start to get an idea about the Cloverfield movie and what it may all be about. It all seems very Godzilla like to me (which isn’t a bad thing).

Scientist discover a new (and tasty) organism underwater and begin to experiment and develop things with it. A trigger such as this could easily mutate something (maybe a whale – mentioned many times on the Slusho! site) to gigantic proportions. The organisms within the Slusho! drink –which must remain frozen to stay fresh– could have disastrous effects after long term gestation in a person (the exploding person in the Cloverfield trailer). I managed to find the following sites that are all related to Cloverfield:

  1. Slusho!
  2. Tagruato – Be sure to read the Deep Sea Drilling and the Yoshida Medial Research (and related) sections.
  3. Noriko Yoshida’s Website
  4. T.I.D.O.

After I had done a lot of digging, I stumbled upon ProjectCloverfield.com, which has done a great job of logging and following all the viral clues. Definitely a site to keep up with, at least until the film comes out.

I had made a few posts months back about the failed redesign of Wizard Magazine’s website. Former editor of the site Rick Marshall has offered up a few interesting tidbits of information at Comics Reporter:

MARSHALL: I feel like the site provided a rude awakening for the Wizard Magazine crew. Web site tracking systems provide a very easy, clear-cut way to determine which articles people are reading, and which articles people don’t bother skipping over. I don’t think Wizard Magazine was ready for the cold, hard facts that this type of tracking provided. Until the site came along, Wizard Magazine was always the biggest fish in a very small fishbowl — in this case, the world of comics news in print format. To take the analogy a step further, creating the website dumped that little bowl and its alpha-male fish into the ocean of online news. Suddenly it had to compete against other fish, and I don’t think it was ready for that. For example, the Wizard Magazine crew always seemed insulted by the fact that content from the magazine rarely received as many readers on the site as the original online content we produced. From a pure traffic standpoint, stories from ToyFare Magazine clobbered Wizard Magazine stories on a regular basis, and the reaction from the Wizard Magazine side always seemed to be that the fault wasn’t with the content itself, but the way in which we provided it online. It was very frustrating to present all of this data indicating that changes were necessary, and to have it ignored time and time again.

However, the most prominent conflict was always the traffic-vs-political content issue. From the start, my marching orders were always “More Traffic” and “More Readers.” But it became painfully obvious that many people at the company assumed that the most popular stories would always be the stories about the companies who buy the most space at conventions or advertise the most on the site — that we could MAKE a topic popular simply by posting it. It was an ideology framed around the notion that “it’s interesting because we tell you it’s interesting.”

That wasn’t the case, though. I obsessively tracked the traffic for the site, and there was rarely any overlap between the people who were considered “Friends of Wizard” (yes, that was an actual term thrown around) and the types of content and subject matter that generated the most traffic. So, most of the time, we operated under a cycle of unavoidable bridge-burning and tail-chasing, with the people at the higher levels of the company alternating between complaints of “Why didn’t you give my friend/client a front-page story?” and “Why weren’t the numbers as high today as they were yesterday?” It was a Catch-22 situation.

The thing is, no matter how much I tried to explain these very fundamental problems, I don’t think they ever really penetrated. I wish I could say they were resolved, but in the end, I think the resolution they arrived at was to kill the messenger.

and . . .

SPURGEON: Can you provide any insight into Wizard’s abortive re-design attempt and abortive re-launch from a while back, exactly what happened and why it didn’t work?
MARSHALL: Have you ever played that game “Operator,” in which you pass a message down a line of people and see how it’s been mangled by the time it reaches the end? That sums up the relaunch. Basically, I sat down with the redesign company at the beginning of the project and discussed the editorial needs for the new site, and several months later I was shown a preliminary, semi-functional version of the new site. When I saw it, I was horrified. Not only did it lack 95 percent of what we asked for, but I was told that we would have to force our current site’s database to fit into this new site’s limited architecture. I still don’t understand why the decision was made to push forward with this site, to be honest. So we worked around the clock changing our current database of content to fit into the very limited constraints of the redesigned site.
My only guess is that the entire fiasco had something to do with the decision to have the least tech-savvy people in the company play the most important roles in the process. Over time, the flow of information went through multiple PR people before it ever reached the people who would be working on the site the most. It was an operational nightmare. They eventually decided to scrap the new site and move on. There’s another redesign happening down the road, and while this one has involved more of the right people, I think there are too many other issues that they’ll need to deal with before it will have a chance against Newsarama, IGN or other sites out there.

Two nice WordPress plugins were released this week that might be of use to some.

First up is Local Analytics. This plugin caches the urchin.js file on your local server, allowing  faster loading of the script. It also adds an admin configurable host of options that allow better tracking of outgoing links, downloaded files, and email address links. Definitely worth a try if you like Google Analytics (and you should).

Next up is the WordPress Super Cache plugin. Heavily modifying the WP-Cache 2 plugin, Donncha O Caoimh has created another great plugin for WordPress. If you’ve got a lot of traffic and fairly static content, it might be just the thing you’re looking for. Comments suggest there might be issues with AJAX or other interactive features. So try it out and see how it works.

Unfortunately, I’ll have to wait on Super Cache. Despite a nice modification to use the plugin on a Windows IIS or Apache server, it still requires the ISAPI_Rewrite 3.0 package for use on Windows servers. With most of my work involving .NET development now and the site up and running fine on WordPress, maybe I should migrate to a PHP account?

From Entertainment Weekly’s web-site

The new season of Lost begins Monday! Kinda. ABC has (quietly) announced that it will begin posting its Lost “mobisodes” (originally intended to debut with Verizon Wireless customers) on Monday, Nov. 12, at abc.com. The series of two- to three-minute vignettes — collectively known as “Missing Pieces” — kicks off with “The Watch,” focusing on Matthew Fox’s character. The micro-stories aren’t deleted scenes — they’re newly-shot material that fits into the larger Lost saga; it’s up to the fans to figure out where they belong. A new Webisode will post each Monday.

That’s awesome news. With the WGA strike in effect, most shows have uncertain futures past December. Heroes is planning for a possible season (Volume II) finale on December 3 and LOST may not make it on the air in February as planned. With a shortened season of 16 episodes, producers Damon Lindelof and Carton Cuse want all 16 episodes to air together as planned, but have stated that it is ultimately ABC’s decision when and where LOST will air.